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Website Portfolio Update: Mobile Version

Mobile version of the web folio is also available (works best on smartphones with the width size of 414px; ex: iPhone 6/7/8+, etc).  According to StatCounter Global Stats , the market share for people using mobile phones is larger compared to those using desktops and tablets. The data is from a worldwide region, with 51.74% mobile users, 45.61% desktop users and 2.65% tablet users. This shows that having a mobile version for a website would be the most beneficial thing to do since people would most presumably open websites via their smartphones. However, coding websites from scratch can be difficult. To create both desktop and mobile version needs a lot of resizing and checking on different devices just to see how it looks. I am deeply regretful to say that kweestin.com is not suitable for tablet devices such as the iPad, etc. This is due to the lack of time I have to balance all my school work during these several weeks. Please keep in mind that different devices may ...

Interview: Mulyadi Witono

Mr. Mulyadi (Didi) Witono is the creative director and film director for Milkyway Studio, based in Jakarta, Indonesia. Mr. Witono has a web folio  which showcases the projects he did with Milkyway Studio. Upon stumbling his web folio, he attached his email for business inquiries, and I emailed him to get an interview. Unfortunately, at first, I didn't receive a direct reply, and therefore I messaged his LinkedIn profile , which prompts him to reply to my initial email. The following is the interview exchange. 1. Can you explain what is Milkyway Studio and what do you do in the company? Milkyway Studio is a full-service Indonesian based Film Production Studio dedicated to producing exceptional content for various client needs. We are more than just a production company - we provide additional services in order to ensure that each video we produce is smart, engaging, and achieves its purpose. My role in Milkyway Studio is as a Creative Director / Film Director for all Milkyway...

Website Portfolio Update: Portfolio Details

The details for the portfolio has a standard look. It got a cover page that is the same as the thumbnail seen on the featured page. The name of the project and the year the work was created is plastered there.  Using full-screen pictures is an effective way in web designing to capture people's attention. Like on Molly and Me Pecans , we are immediately gobsmacked by a huge picture of their delicious snack, which makes us more attracted to the brand and curious to learn more about what the brand offers. Selection of this all-important asset is absolutely crucial, as it can make or break a user's emotional connection with the brand. Make sure it bears strong relevance to the actual subject matter wherever possible. You need to build an association with the individual brand in question, and an image that feels too generic or 'bought in' will detach users from the experience and undermine the site's authenticity.  Both quotes are taken from the first ...

Interview: Joza Bayu

Joza Bayu is the creative director of GREY Indonesia. GREY Group is a well known creative agency, a 103-year old global advertising, and marketing company. I first know GREY Indonesia from one of my friends. She had the opportunity to be interning as a graphic designer in the company earlier last year and worked under Mr. Bayu's supervision. I had the chance to interview Mr. Bayu via email, which I asked for beforehand by messaging him through his LinkedIn profile . When he sent me back the answers, I was not expecting to be receiving it in a presentation form. However, I should not be expecting less from a creative director from a globally known advertising agency. Below attached are the answers Mr. Bayu sent back. Mr. Bayu and Mr. Rusli (my last interview post) have some similarities. They both stated that a person's portfolio has to represent themselves. The portfolio itself has to explain who you are as a person so that the people reviewing your portf...

Interview: Evanggala Rasuli

Mr. Evanggala Rasuli is the lead creative strategist in a company called TADOtv in Indonesia. He works with an innovative team and is in charge of leading, supervising, and managing them in a project. I found Mr. Rasuli via his LinkedIn profile when I was searching for a potential creative strategist I could interview. I messaged him about the interview opportunity through his LinkedIn and asked him whether he would consider helping out answering a few questions related to his field of work. I was happy to receive his reply not long after, and I sent him the list of interview questions. The following are the questions I asked him and his direct answers. 1.    Can you explain what is TADOtv, what do you do in the company? "TADOtv is a creative content agency that provide services in terms of creative communication strategy and interactive video content. I work as the lead creative strategist, supervising, managing, and directing the creative team consisting of scre...

Website Portfolio Update: Creating and Managing your Database

When creating a portfolio website, it would be such a hassle to create and design each page for different portfolios. The smart way to tackle this problem is to create one 'template' for your portfolio details, and inputting the content into a database.  Adminer is a tool for managing content in MySQL databases.  Primarily, Adminer allows you to manage the content of your website through a table-like database, where you can easily add, remove and change the subject matter. Here you can see my Adminer database. It has two databases, one to represent the content for the portfolio details, and the other is for the gallery.   This is the porto_info database. It consists of the project id (code for each project ), year, title, video (in the form of iframe), image_thumbnail (the same image used for the featured page and the main cover for the portfolio details), head1 and head2 (headings), desc1 and desc2 (description) This is how the inside of the database looks...

Website Portfolio Update: About Page

On the home page of kweestin.com , you will see this sector under the general portfolio area. This part is a smaller section of a dedicated 'about' page.  When clicking on the "more about me?" button, you will be directed to my 'about' page, where you can get to know me more. You will also be able to click on another button, which will lead you to a pdf where you can download my curriculum vitae. I personally think that letting your potential employer know and understand you is essential. It will allow people to understand how you do your work, your skills, what you are interested in, what your beliefs in, and what your limits are.

Website Portfolio Update: My Limited Portfolio

When you open kweestin.com , you will be directed to the home page (index.php). And when you scroll down to the second section of the page, you will stumble upon the portfolio area. The reason why I do not have a portfolio section filled with all my projects is that I want to focus on showing only the works that relate to my career choice and my 'specialty.' You will also see that to see my 'full portfolio', you are redirected to my Behance page . There, I will be posting and updating projects that are more diverse and unrelated to only videos that I direct. One of the reasons I chose to do this is because I considered Ms. Karenina's interview I posted previously. She mentioned focusing on the works that you want people to know you for (ex: video editing works for someone who wants to work as a video editor, etc.) So I want to focus on what I think I do best and what I want people to know me for, hence, the only video portfolio.

Interview: Josephine Karenina

Josephine Karenina is the Brand, Communication & Digital Manager at PT. Hilti Nusantara in Indonesia. She is in charge of the online aspect of Hilti, especially the Hilti Online app. Earlier last year, I was working at Hilti as a digital marketing intern, and therefore I know a little bit of how and what Hilti is working on, especially from the digital aspect. I specifically picked Ms. Karenina as one of my interviewees because I want to share and show how different 'Digital Marketing' is in a global corporate company like Hilti and other advertising agencies. I was lucky enough that Ms. Karenina agreed to do a Skype interview. I asked her several questions regarding her job as a Digital Marketer, specifically in a very corporate company. Since I know that working in a corporate company is very different compared to an advertising agency, I want her thoughts and opinions on this. Here are the questions and clips of the interview. 1. What is your name, what do you do an...

Interview: Patar Simatupang

Mr. Simatupang is an Indonesian documentary director, producer, and filmmaker. He is the founder of the Youth Leadership Institute, an institute that provides training programs and seminars in human capital effectiveness, media, communication, and youth leadership skills. He specializes in media communication. I first met Mr. Simatupang in Raffles Institute of Higher Education Jakarta, Indonesia during my years studying there. He was my Academic Research Communication Skills lecturer (ARCS). My friend (current classmate who was from that same ARCS class) Shannon and I were lucky enough to land a video interview with him earlier this week. Unfortunately, the video recording the interview was corrupted, and therefore we lost the actual footage. However, I had a short clip of us calling him that I will attach at the end of the blog. Since Mr. Simatupang is a filmmaker, director, and producer who had been in the industry for some time, we think that he would be a suitable candidate for u...

IRIE: Experimental Interactive Short Movie

IRIE is the final project of an interactive experimental short movie created by two of my friends and myself for our Design Studio 2 subject. The word 'Irie' comes from a Jamaican English slang, usually to express a general term of approval (nice, good, or pleasing). Although the plot of the movie is not as nice, good, or pleasing, we chose the word nevertheless because we want to emphasize on the expression and feelings to whoever is watching. Black Mirror: Bandersnatch profoundly inspires IRIE, and it also inspired by Love, Death + Robots: The Witness art style. Here is a clip of how IRIE looks like. brainstorming for the plot first try on creating the neck slash   Since IRIE is a looping/endless movie, we couldn't really put in credits at the end of the video. So we decided to put our names on objects that can be seen throughout the beginning of the movie. The artwork's background was created manually by utilizing a printed p...

Black Mirror: Bandersnatch

Yes, this is another post about me exciting on another Netflix original series. As someone who spends most of her downtime watching movies, Netflix became one of the top options to scroll through for film or series.  If you are subscribed to Netflix, or you are just up to date with pop culture, you must have heard about a British science fiction anthology television series called Black Mirror. Like my previous post about Love, Death + Robots , Black Mirror is also an anthological series, which means that every episode will tell a different and unrelated series. Black Mirror explores modern society, particularly concerning the unforeseen consequences of new technologies. Episodes are standalone, usually set in an alternative instant or the near future, often with a dark and ironic tone, although some are more experimental and lighter. In simpler words, the series allows the audience to see a glimpse of the possibilities that could happen in our reality with the 'help' o...

Love Death + Robots: The Witness

For those people who claim that they are a movie aficionado, should check out their original series, Love Death & Robots. Although technically it is not a cinematographical movie (some but not all), the series itself became one of the unique series ever created in Netflix's history. The series itself is categorized as an American adult animated science fiction anthology web television, and produced by The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. What makes the series considered as anthological is because each chapter does not necessarily intertwine with each other; instead, each episode is a stand-alone story. Other than that, Love Death & Robots, combined (and consisted of) live-action roles and animation as well, created by different crews from all around the world. Image source: Netflix One of the most standing pieces they released is Season 1 - Episode 3: The Witness. The story itself is short; however, it has one of th...

Website Portfolio Update: The Design and Naming It

So for our Professional Portfolio class, we were asked to create a web folio to showcase our projects that relate to the career path we chose. I picked the name kweestin.com (edit on the 17th of March: website is now live) as my domain name. I will explain more in detail why I picked that name below. So the first thing I kept in mind when I create it is, how do I want this portfolio to represent who I am. Does it fit with my career path? So I started with designing the look and structure of it. I used Figma to design the look of it. Figma is an online platform (like Adobe Illustrator), usually to create presentations or UI/UX designs. The reason people like this platform for web designs is because once we finish designing, we can create them as a prototype. A prototype allows people to try the design to be used as an 'actual website,' where we can press the buttons to be redirected to another page, etc. This is the home page. The homepage is divided into four main sec...

Choosing our Career Path

For one of our Professional Practice Portfolio class task, the students were asked to create and update a blog about the subject. The assignments for this subject include (but not limited to) creating a website portfolio, updating our blog about our progress, picking a 'career-path' and interviewing appropriate experts of your field-of-choosings (about how they think someone like you/them need to have a good portfolio). One of my family's tradition to do every week is to watch a movie together. It can be in the cinema or at home, but we would always spend time together doing so. The introduction to cinematography by my dad became a part of who I want to be without me realizing in the first place. I thought I wanted to be an actor, as it turns out, I wasn't particularly interested in the actors of the movie. Instead, the story and how it was created into the thing you watch that makes me excited. This leads me wanting to learn more about the people behind the movie. An...